Summary

58

Extimité ou le désir de s’exposer

Fall 2006

[In French] Reality TV, personal webcam sites, and the more recent phenomenon of blogs are all platforms where individuals stage certain aspects of their intimacy. This issue deals with the theme of “extimité” from two distinct perspectives: on the one hand according to Serge Tisseron’s definition, that is to say as an intimacy that has been exteriorized and displayed with more or less reserve; on the other hand, on focusing instead on the showing of the self in the varying contexts of the self’s staging.

Winner 2007 Magazine category, Grafika competition

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Crip

Spring Summer 2026

While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.

Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona

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