Summary
68
Sabotage
Winter 2010
The dossier presented here addresses the diverse forms of sabotage perpetrated by artists, both within and outside of the art world. To experiment with the concepts explored in these pages, we’ve decided to play the same game and to sabotage issue no. 68, thereby shaking up the aesthetic comfort into which a magazine can all too easily settle. Including 3 portfolios.
Editorial
Feature
Portfolios
Off-Features
Columns
Reviews
Young Critics
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona