Summary

70

Miniature

Fall 2010

For some time now, art galleries, museums as well artists’ studios have been offering us various types of models and projects that materialize as small-scale forms or “prototypes”—miniature works with a seemingly limited, barely visible field of action. This issue focus on the miniature in contemporary art—minute works, models or modelling. The essays' respective authors propose different expansive readings of these minute constructions, making use of such categories as the playful, the deceptive, and the simulacral.

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Current Issue

Crip

Spring Summer 2026

While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.

Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona

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