Summary
65
Fragile
Winter 2009
The fragility of objects, its production modes and the figure of the artist: contemporary art and its precarious circumstances. Showcased portfolios: Jason Lim, Jean Dubois & Chloé Lefebvre, Olivier Sévère, Ana Rewakowicz, and Spring Hurlbut.
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Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona