The dossier presented here addresses the diverse forms of sabotage perpetrated by artists, both within and outside of the art world. To experiment with the concepts explored in these pages, we’ve decided to play the same game and to sabotage issue no. 68, thereby shaking up the aesthetic comfort into which a magazine can all too easily settle. Including 3 portfolios.
Pure action by Yang Zhichao and He Yunchang, Art Metropole. Le top 100 at Galerie d’art du Centre culturel de l’Université de Sherbrooke, Dance to the Berdache by Kent Monkman, Interview with Erwin Wurm, Virutorium by Robert Saucier & Kit Collaboration, Universal Code at The Power Plant, Projets récents sur Bagdad et Montréal by Michael Rakowitz.
A Constructed World, Art Workers Coalition, Emily Abendroth, Jumana Emil Abboud, Boris Achour, Eleanor Antin, Stephen Appleby-Barr, John Baldessari, Angela Bullock, Maurizio Cattelan, Hélène Cattet & Bruno Forzani, Cinéma abattoir, Jo Cook, Jaime Cortez, Hanne Darboven, Alain Declercq, Stan Gouglas, Didier Faustino, General Idea, Gilbert & George, Antonia Hirsch, Carsten Höller, Aryan Kaganof, Mark Lewis, Ken Lum, Kit Collaboration, Gwen MacGregor & Sandra Rechico, Thierry Marceau, Christian Marclay, Griffin McPartland, Kent Monkman, Gianni Motti, Gabriel Orozco, Trevor Paglen, Huang Yong Ping, Michael Rakowitz, Robert Saucier, Marc Séguin, Jana Sterbak, Camille Turner, Erwin Wurm, He Yunchang, Yang Zhichao, Elizabeth Zvonar.