We, the outraged
Summary
77
Indignation
Winter 2013
The theme Indignation addresses the social and political upheavals that have crystallized since 2011, and whose momentum is seemingly unstoppable. In this context, how do artists express their indignation? If certain individuals among them decide — occasionally or persistently — to express their indignation through their art, others choose to take political action and to participate in popular demonstrations.
Editorial
Feature
Portfolios
Off-Features
Columns
Reviews
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona