Summary
69
bling-bling
Spring / Summer 2010
Excess, exuberance, cheap knockoffs, and kitsch have literally invaded pop culture. Symptomatic of the trend, the term bling-bling seems especially suited for dealing with these artistic productions. First connected with hip-hop, the term has been taken up either to describe some conspicuous behaviour on the art scene, or to qualify works that employ overstated, flashy materials. The approach to bling-bling taken in this issue then, while offering an analysis of its particular aesthetics, affords varied reflections on different so-called “bling-bling” attitudes in contemporary society.
Editorial
The Artistic Bling-bling: From Flashy
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Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona