Summary

66

Disappearance

Spring / Summer 2009

Themed section on various forms of disappearance of the part of the artwork—from imperceptible trace to visual disruption, from dissimulation from view to total absence. Including 3 portfolios: Raphaëlle de Groot, Daniel Olson & Eve K. Tremblay.

Editorial

Feature

Portfolios

Off-Features

Columns

Reviews

Current Issue

Crip

Spring Summer 2026

While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.

Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona

Order